September 25, 2010
A day at the California School of Herbal Studies proved to be the highlight of my late September. It was an incredible day spent with 16 herbalists, all learning the art of natural dyes, (most of them for the first time.)
This workshop was accompanied by a powerful presentation given by Dr. Sara Gottfried. Together, she and I collaborated to bridge the issues of health and the reality of our clothing. Sara’s clinic, the Gottfried Center for Integrated Medicine specializes in supporting individuals to thrive and remain healthy in the face of mounting environmental challenges. Her molecular understanding of endocrine disruptors, and the effects of heavy metals shed a new light on the reality of our well-loved clothes, particularly, our jeans.
The beauty of this workshop was that it encompassed these honest and intense global environmental truths, while simultaneously offering viable, hands-on, local, and healthy solutions.
For the students who are entering into the holistic health care profession, the class offered a new layer of understanding in regard to the health impacts of our current industrial textile system, both for the wearer of the garment, and for the planet as a whole.
For these students dye making is not a far stretch from the techniques they were already learning in their other classes. The connection between medicine making and dye making is inextricable… the way plants are processed for color and medicine are processes that have been honed for millenia.
We made a fresh pokeberry vat, on site, during the workshop. We harvested, and processed the berries for color and then dyed all manner of fiber samples.
Poke root is a lymphatic cleanser… the fresh spring greens were canned for food sources (they must be well cooked so as not to be toxic)… and the color from the berries is almost too good to be true..
The Pokeberry took to the wool skeins the best…
Here is a beautiful silk sample done with coreopsis flower dye– (we made this dye during the workshop).
Another example of pokeberry and coreopsis, on wool– gorgeous!
This wool skein was dyed in coffeeberry and coreopsis.. half of the skein dyed at a time.
This rainbow effect was created with a light wash of pokeberry, sage, indigo, and coreopsis… some resist techniques were used.
Handwoven hemp samples–done in sage and madrone bark..
And here it is.. the most exciting new fall color– Madrone!! The bark falls to the ground this time of year, and produces the most beautiful chestnut brown.
The students explored the expansive medicinal and food garden for their plant pounding processes, all these materials were sourced in the moment, in midst of our workshop.
I think this cotton shopping bag of Sara Gottfried’s sums up this workshop best. The beauty of these colors.. the smells of wafting dyes, the innovative atmosphere, the offerings of the plants. Together these elements produced an experience like no other. It is the reason that I keep hauling dye vats long distances to these far destinations– the reason I spend so many hours preparing materials. It is a labor of love, a labor that gives as much as it takes. For me it is a way of life.
Thank you Roots students!
May the colors of the plants and the medicine they offer be with you always. The world needs what you are offering.
September 19, 2010
Our first Regenerative Design Institute textile class was held yesterday, and what a day it was! Re-skilling is happening in our community one step at a time– practical DIY textile education is here! (Check out RDI’s classes)
The Pacific Coast was feeling pretty damp yesterday– so we went into the warm and lovely greenhouse to do our work, and keep from getting too wet.
We put the dry line outdoors– under some trees, it seemed to do the trick. The scarf that Dustin holds is an incredible testament to the late summer horsetail.
More horsetail in the foreground here, on lambswool– the soft pink color it produced was jaw-dropping!
It also proved to work beautifully on silk shibori pieces as well.. Rose is holding her horsetail scarf– a piece that she created with folding and tongue depressors.
Erin made this incredible indigo and california sagebrush piece with a pole wrapping technique.. a lovely outcome to say the least.
A beautiful and creatively dyed wool skein dipped in toyon, sage, on its way to another layer of color in the black walnut bath…
A series of wool strands dyed in all of our native colors (with the addition of indigo)…
It was an honor to collaborate with participants whose life’s work spanned from the home-design-and-build sector– to organic farming.. we had an extremely talented and inspiring group who brought a new and unique flair to the ancient processes. I am so grateful for each and everyone’s participation– what a joy to explore the native colors with you!
Our next Natural Dye Workshop will be held on Oct. 3rd at Lambtown
September 6, 2010
Tannins, seeds of annatto, N’peku bark, and madder proved to have an almost infinite range of colors than I could have ever imagined– these totally unique processes were uncovered during my sojourn studying with a green chemist in the 10th century village just outside of Avignon, France.
I walked each morning through winding medieval lanes to the home and studio of Monsieur Garcia. A genius botanic chemist, committed to the innovation of natural dye processes for the industrial scale.
We worked long days in his lab– exploring what seemed to be a small fraction of the possible permutations that one could create with simple combinations of plant pigment, pH, and readily available minerals.
The options created with indigo applications were jaw-dropping… for me, who has been immersing in indigo, and creating indigo washes, for some time– it was incredible to learn how to make miniature vats of reduced indigo paint within minutes– without the use of any toxic materials or synthetically created reducing agents.
This is an example of the range and variation we created with the use of tannin. These greens, yellows, reds, and violets were brought to life with only two plant species.
We silk-screened masses of color variations on a locally produced wool fabric.
I spent many moments running up and down the 12th century staircase, moving between the application lab, and the larger machinery on the ground floor. All the while attempting to keep from knocking myself out on the very low beams that framed the house. I think people were much smaller back in the day this home was built… But what a gorgeous home it was!
This particular silk-screen has permanently changed my perception of what is possible with ellagic tannins… incredible.
The little village has a very small number of permanent residents– and yet, even within this tiny ancient city, there is a botanic garden– growing a collection of 300 dye species!
The plant colors, the ripening figs, the masses of sweet dangling grapes at every corner… the limestone architecture, all together has created an unforgettable sensorial combination.