The Art of Native Ink

April 24, 2011

The first dye series of its kind was taught at the Regenerative Design Institute this Spring– classes steeped in processes created from the very landscape surrounding our dye pots and ink vats.  Coffeeberry, Toyon, and Coyote Brush were harvested by our team of eco-art explorers.

We began on a rainy day for our harvest… we gave each plant a clean-up and nice little prune.

We made our modifiers and mordants through the crushing of galls from our native black oak.  A beautiful and renewable binding agent.

The copper pots were put to good use to patina our colors…. they have masterful results with the native plants.

We began to experiment with home made screens– images originally drawn by an artist and designer friend, Sierra Reading of the California College of the Arts.  The images of Pokeberry and Black Walnut (both dye plants), looked quite beautiful in our coffeeberry ink.

The Pokeberry image was created with coffeeberry ink on a toyon dyed cotton fabric

A lovely hand-cut printing block was used to make this design.

The class was intently creative….

Painting leaves proved to be an exquisite way to print…

We shared our blocks and leaves with one another.

We also created some gorgeous prints without the use of blocks– just using bay leaf, eucalyptus, rubber bands, and iron rich waters.

Thank you to all of the class members– your art was and is an inspiration!

Thank you to Michael Keefe for your continuous stream of good photography and support:

For more pics of our workshop:  See the Smug Mug Site

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One Response to “The Art of Native Ink”

  1. Trace Says:

    What did you use to thicken the ink?


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